in my arms a warm & quivering vibration of life and heat & emotions—the smell of dust & fields in summertime—a scent of shampoo—the soft funny rising of the ears at sounds wiggling & waggling & settling into my fold—her eyes are bright & glittering—innocent in their return—the tail a pointed snaky thing—a flag on a stick—black paws—soft & shiny—leathern—and pure white pointed teeth—sharp— a slight little gnawing & your hand is drawing back in a hurry the crunching teeth on a wooden toy—she leaps up & kisses me on the mouth—wetness all over—& pfui—I don’t want her germs in my mouth—but it’s ok & her wet nose against my dry skin—it’s cool—she’s down & running circles until I’m dizzy—spinning & dodging through our feet—barking a high pitched yip & a yowl like talking—I feel calm & happy holding her our love begins to kindle.
Notebook
Tour’s over/ Bill Evans
Bill Evans if you’ve ever fallen in love with someone and its late at night & time stops–the futures beautiful but sad and pretty complicated the way the moments of glory become the next moments of doubt–life & death putting off the disaster–the reckoning–the bill will come due–the piper will be paid in full at midnight—tho’ the air is clear the horns are muted the traffic outside occasional–a whoosh & the moon crawls over–the stars wheel & you fall asleep earlier than me it’s all worth it to be here with you–it’s ok we’ll pay & live to see another day–some better & some worse blue shades drawn green sky at dawn & the moments balanced on a crescent. A kiss the touch of your skin the beating of our hearts–our breaths entwined it’s good now & true forever as the clock turns eternity on its wheel [head] I don’t know what will happen–we’ve thrown the dice–picked up the phone & dialed heaven—there will be a moment and a series & an epoch—the night will answer our fears & it’s on our side no running now stand up and take it–three a.m. forever–melts into lessons–trials melt into sentences–sentences into freedom and we’re free to love forever, tonight
Blue In Green:
Dionysius–calling on line 2
the one who led you on into the night following a musical call—we poured our hearts out into the charge of the air—gave up the separations & intellectual positions & walls of reserve—it melted at the pitch & we all went with it—there was no right or wrong—no individuals, just waterfalls of roaring sound—a surrender to the light & the rumble of quick silver, mercury, molten steel, red elastic, death defeated just for a while, lost the voice talking to me now its drained out—these were the moments we chased—loud electric rock & roll—a mess—no concise message but a big fat head & mouth—rewarded by the love & charm of the crowd—they crushed together too, in the heat, the jostling, the tight contact of bodies—nothing reserved nothing hidden—& the music hit moments where it seemed to create itself—spring out of there with new power—I’d always hold a little back—style in these moments—the jacket shed the hair sweaty & messed the roar of guitar feedback & drum rolls Dionysius—God against death—the poison the trance the escape—
I didn’t know…
what I didn’t know
where the roads through town wound up
how far away you could get in just a little time
people would smile but not mean what they say
others would frown but not let you down
the power of even the smallest creature in the world
I didn’t know why I should go to school
or why it was time to go home
who shot the Kennedys and Martin Luther King
what they were doing upstairs
made a lot of noise but the sounds were strange
I didn’t know I’d remember you for the rest of my life
I didn’t know I’d regret the way I didn’t step up or out
I was a coward then I didn’t want to be alone
I never really got back then that we all grow old & die
or how fast the stream of time rolls by
I thought I could handle the juice
but it would manhandle me
I didn’t know how much I’d struggle
to carry that old guitar
those days we’d traipse across the city long
with a guitar stretching my arm
I still didn’t know
what the people upstairs were up to
with that crazy electric sound
that the old people hadn’t always been old
that the big war was fought just a few short years before
why he wanted me to move in at the house
we’d stop talking & run
didn’t know the world could feel this dangerous
that he’d be shouting at the end of his speech
how little I’d remember of the things that meant so much
how much I could love a dog
the city I knew vanished when I went down South
a lot of these times would become stories
and the stories became cliches
I didn’t know they’d have to operate
didn’t know I’d feel this beat
didn’t know the trends I thought were bad
would rise up & take control
I didn’t know I’d need to know your birthday
didn’t know I’d get so blue
didn’t know relief was just a prayer away
I could ask at any time for relief
all you got to do is ask
I could start my day again
didn’t know to start this one right
didn’t know I’d need gratitude.
I thought I knew but didn’t
who was coming down the street
or listening from the back of the room
or that day we said goodbye on Broadway
was the last time that we’d ever meet
didn’t know I’d be wondering about you
didn’t think I could know what to do
life is lived in the moments
lines are collected on scraps
friends are all friends forever
there are places you can’t find on maps
there are secrets that won’t be
I didn’t know I’d have enough money
to survive even tho’ I went broke
I couldn’t see how my mother & father
could have acted that way & not choked
the ones that we paid scant attention
are the ones who would bring the house down
I didn’t know I coulda taken it easy
& let the whole world come my way
I was confused & deceived in my thinking
somehow I gave all my power away
oh well there’s always…today.
What I sing about…
my themes from the first— time passing, watching the clock in a confined and false reality—trusted friends, soldier boys who stand aloof from the world—love as masquerade—hanging in & hangin’ on—hoping for a change a miracle–looking romance in the eye—watching the streets & the horizons—for a shift—resentment at police pressure on my dream life & physical existence—time and distance—seemingly impossible to bridge—stranded—need for love—the escape of prisoners—the dream going bust after going for broke–a magic touch—impossible situations against terrible odds, slim chances seized—escape routes in everyday life—justice—it’s perversion and potential—desperate situations met with a plea for simple magic-like talk—reaching out to the sidewalk refugees & closet suicides offering a spiritual solution & some companionship—the surrealism of Big Town Saturday Night America, of small town walkers on that same big evening—staying out all night avoiding the curfew—under stars & streetlights the waxing & waning moons—desperate attempts against time, isolation, “normal” life, longing for beauty contact & love with the sympathetic spirits—the victims of violence struggle for sanity, serenity, dreams, visions, reality.
Primitive
primitive—from the heart the parts the tongue of your enemy licking you—physical not diffused through prismatic gimmicks—from low below the belt—courageous—or? impulsive simplicity—directness—sweat on the brow—bursting against the seams—hungry—the lunge of need—fear of eclipse—dancing to extinguish terror—sex over death—ego over sacrifice—Jesus not a primitive—Holy Ghost? fighting with your own self—dirt—blood—saliva—come—raised voices chanting—wood smoke—torches—heavy drumming on logs—poison leaves—itching from teas—fear of strangers—not arguing the points!—no poetry outside of desire—descriptions of fulfillment—wonder at sexual favor ok—amazement of size—power of personality—deep feeling—Justice?—not about memories but in the present—breathing through nose hairs—the surprising sensation of a punch in the nose —the heat felt in dryness—watching through windows after dark.
The Nerves On Folsom and Third–1975
Folsom St. Nerves —’70’s
a beat up building on Folsom Street
cars rush by late for the freeway
late for the bridge
trash in the street cracks in the window
& every player in the band
lives on a separate floor
aligned by the window well
A bass amp on the floor
pressed into service as a coffee table
linoleum asbestos & an old junk tv
tuned to the all night movies (movies ’til dawn)
a beat up record player & speakers
& my kitty cats torment the puppy
(who howls when they slap him
with their claws outstretched)
& Jack & Connie are yelling again fighting again
round & round shouts down the well
I had an onion Paul had a spud
& we fried ‘em up in oil
with catsup borrowed from Clown Alley
San Francisco—the ’70’s—a city of outlaws
the West—drifters & outsiders
rents are cheap & we’re passing the days
in a basement
hours of rehearsal while
the clock tower on a downtown bank
ticking the hours by ten or sixteen
nothing in the fridge nothing in the cupboard
no books on the shelf
no money but time
dreaming up songs that somehow limp back
we laugh together it works sometimes
working hard for hours but it’s a lonely group
something out of nothing that’s how to write songs
it’s always amazing when something happens
& I hear them laughing.
Road to Recovery
out on the chilly winds & fog—the breakers breaking the waves waving goodbye & the whales wailing under the railings of the golden alley bridge—a world wide -retro-coop, super group—a pox o’yr swindle yr bag of used tools—the prez is leering from a Lear jet—and cargo boats with soggy bottoms & pastel hills & primary containers jelly fish out into the harbor—pass water the gate & motivate—east to Hong Kong—Singapore—Peking don’t forget to duck—weighed down with boxcar size quantities of gargle, paddle balls looking for a racket, kittens prowl the poop deck, the first mate he got drunk, climbed a mast to masticate, wrote a letter to the magistrate, bought a parcel of promised land by the acre–by the time I got to the taste of ashes–songs composed on ouija boards, the ouija bored itself—the ships cutting through the scar & sky blue empress of the package & always lick your stamps before dropping them in the box–Mr Lucky Reels, the Hambone Sisters grimace, Skye Page gathers trinkets, soldiers on glass elevators throw stones at Billy Boy who drools like a crooner.
“some egotistical degraded existentialist dionysian idiot” *
talking louder than you & you never have his attention, it’s a no-reply zone & its hopeless, you can tell by the tics of his face, the turns of his head to watch anything but you, you’re not equals and there will be no conversation. Laws don’t apply & why should they I wanted to be your friend back when you presented the humble persona, lips composed in a tight smile, the one yr women like, you figure—egotism works for a living & sings for its supper but now theres no control—yr always helpless in the face of yr next whim—yr like a coach delivering a pep talk all day—you speak to people as if they’re an adoring crowd—belief in nothing is possible under special circumstances—the jungle powers effect—big beasts only need apply—scrutiny dampens desire—but its all about the performance—in bed devolving into a service job for someone—constant lies are necessary now—its all about the attenuated attention span—the inability to listen to another to read the situation—its the end of the day so you do the little things you like to do—but sleep won’t come yr mind is racing from a sleight—brush yr teeth polish yr nails—or better yet—have one of your professionals do it—there’s no replacement for quality.
* quote is from Bob Dylan’s World Gone Wrong liner notes.
“rebellion against routine” photo: Paris 1990, by Edgard Garcia
I wish I was somewhere far away on the side of a mountain—sleeping on the floor with a couple of blankets & a bowl of rice—distance—the kiss of the new encounter—aroma of a different egg & leg—so tired of getting’ up & goin’ to school everyday—’til the juice is sucked out of every orange leaving only freeze dried tomatoes—the stranger with a brand new three minute relationship—up all night & wandering to break the spell again—they wanted him in office to throw a wrench in the system—the dog’s been asleep on the floor for hours—but shying away from the broken plans, shattered marriages, the violence of domestic change—out the front door in the mist of early dawn & down the street in the sunlight “bound & determined” ha ha—throw over the sure things, the subscribed, the drills, the calisthenics of boredom, whats the point of living forever in a grind—my back is sore from a chair, my hands ache, the cuppa tea, the same old boring pajama game, throw it over, break out, like never before, “I’ll try something new” sang Smokey, tears are a good sign, shivers another, blood red inspiration, the image that won’t quit, the obsession you live with ’til its in tatters, talk about something new.
Song: “Every 24 Hours,” with Richard Thompson, from “Let Us Now Praise Sleepy John” CD…