https://petercase.com/wp-content/uploads/09-Magic-Touch.mp3 From the album “Beach Town Confidential” recorded live in 1983, [released a couple years ago by alive/natural sound recordings]with the original line-up. I wrote this song with Eddie, and we had high hopes for it as the follow-up single to A Million Miles Away, but a KROQ rep told me: “Too primitive!” Which I thought was a selling point. Oh well…maybe somebody didn’t make their payments, is the impression you get from reading the book “Hitmen” about the era, and Geffen in particular. That’s rock ‘n’ roll for you, like they say, its a vicious game. But this song was pure fun. Peter Zaremba said it was an update of the Buddy Holly and the Crickets sound…maybe so. One original feature of this was Louie beating the drums and playing maracas at the same time, I’ve seen people do it since, but never before…who knows? This song and the album are available at iTunes and Apple Music: https://itunes.apple.com/us/album/beach-town-confidential-live/id492812876 For the vinyl or CD: http://www.bompstore.com/plimsouls-beachtown-confidential-custom-mixed-yellow-marble-vinyl-ltd-ed-of-100-lp/ In the picture below, for some reason I’m checking my pulse! Racing for some reason, hmmm? 1983…yikes!
https://petercase.com/wp-content/uploads/Cant-Get-Through-To-You.mp3 The Action Dogs were a collaboration with the Plimsouls, their NYC pals the Fleshtones, guitarist and rockabilly legend Danny B. Harvey, rock and roll pianist extrordinaire the late Uncle John Herron, and A Million Miles Away producer Jeff Eyrich. A twelve piece band, recorded live to two track in Hollywood, a late night, drink-fueled session that nearly none of the participants clearly recalled. The song I had started for the Nerves and never recorded, then the Fleshtones added a great section halfway through and everybody kicked in some lyrics, and it was just really fun, I think!!! Check it out. Listen on big speakers or headphones for the full effect… Thanks Danny for the copy.
https://www.youtube.com/watch?v=hMsoOUI4-54
No snow in Alaska No bees in the field No frogs by the river No hands on the wheel No leaders in Congress No brakes on the booze No magic experience No truth in the news No teachers on the playground They can’t protect themselves No songs on the airwaves No food on the shelves Low wages for the workers No workers getting hired No rights & no more unions Speak up & you get fired No days off the schedule No end to the tasks No answers to questions that everyone asks No pause in the battle No one gets a pass There’s no break for the poor & no more middle class No fire alarms’re working The fire escapes are locked No lights in the hallway The fixtures have been hocked No whales in the ocean No robins on the lawn No colors in the sunset Firing squads at dawn No social security It’s stolen by a lie No more going bankrupt You’ll pay until you die This was the land of plenty & everyone gives thanks Now its all gone to shareholders & the CEOs of banks They can’t agree to fix the roads They’d have to
heard the story on the evening news ‘bout the Capulets & the Montagues ryan’s dream on a private highway airport bound the convoy speeds past shanty town bannon’s vision dragons on the sidewalk angels in the trees children on the border cut down like Christmas trees ryan’s sermon he’s my rock & my salvation I shall not be moved & tho a fire awaits you your credit’s pre-approved miller time the hate truck that yr driving the wheels will soon fall off the other pigs yr riding with will push you from the trough the union won the civil war it ended in a rout hatred never wins the day Hitler found that out yes on no you lost your taste for hearing truth then got lost in a polling booth the city is silent the sea is black the sun is cold the cables slack the sky is brick the clouds are fake our votes were cast into the lake fortune cookie “to see what is in front of one’s nose is a constant struggle.’
https://petercase.com/wp-content/uploads/PC-Bumble-Bee-day-1_01.m4a This is the Memphis Minnie blues, from the HWY 62 sessions at Sheldon Gombergs’s Carriage House Studio, in Los Angeles, performed on a guitar Ben Harper had just laid on me, a perfect replica of Lead Belly’s Stella 12-string. Bumble Bee was the first song I played on it. This song is Track 1 on a CD of blues, by Buffalo musicians, released to help homeless veterans in the Western New York area. Here is a link if you’d like to receive a copy, and help out a very good cause: https://store.cdbaby.com/cd/buffaloblues
bottomlessness (from Shakespeare Wars, by Ron Rosenbaum) ‘A highly developed, acute servant of other people’s truths.’ ‘He’s someone who empties himself out.’ ‘A million percent alive… this person, walking through the streets of London must have lived each single moment with an incredible richness of awareness, so many levels, infinite levels of meaning.’ ‘ He can overhear and notice two kinds of things: all the life & noise pouring out with great excitement. Yet at the same time, even though he is a very practical man, he can evoke in words faraway worlds, strange tales, astonishing ideas, and develop & link them to an intimation of meaning in society, in regard to the gods, a sense of cosmic reality, these were all pulsing through his mind, all these levels at the same time.’ ‘he didn’t have a lot of quiet attentive people in a dark room such as this.’ ‘It was rather, the most mixed audience that ever existed in the theater: thieves, pickpockets, whores, drunks, half drunks, brawling in fights. As well as, of course, the bourgeosie, there for entertainment, sophisticates, looking for the things that are sharp, witty, erudite. It is difficult to understand how deeply difficult the
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“Hit Men: Power Brokers and Fast Money Inside the Music Business”
by Fredric Dannen
Plenty of used copies on Amazon for six bucks (including shipping).
That’s the one…very interesting.